Ohio Neighborhood Watch Community Cross-Stitch Pattern

An old neighborhood watch community sign becomes new again in a bold, graphic cross-stitch pattern.

I made this design because I noticed these old community watch signs in a couple of places around my neighborhood. They’re from the 1970s and 1980s and while they look weathered, they’re still standing tall. I love the bold design and how they serve as a snapshot of an era when doorbell and porch cameras didn’t exist. If something fishy happened in your community, you had to ask your neighbors if they saw anything and you hoped they had their eyes open. Also, the “sketchy character” on this sign appears to be a man sporting a trench coat and holding a pistol. I’m not sure if that’s the archetype of a “criminal” nowadays.

The digital PDF file for my Ohio Neighborhood Watch Community Cross-Stitch Pattern can be purchased here. 

To create my cross-stitch pattern, I simplified the sign, making it specific to all of Ohio, not just a municipality. The circle gave me a hard time. Creating curved lines on a grid is not easy! In fact, I thought I was finished with the design and had stitched up “Neighborhood Watch Community” and did the top half-dozen lines of the red circle when I realized the circle wasn’t the right shape of round. So, I had to go back and fiddle with the pattern before I was satisfied. Then, I had to unpick a few rows of stitches.

That’s how my design process goes, though. I stitch all of my patterns before releasing them into the wild because I want to find any errors I can’t see on the computer. It also forces me to slow down and really be with the pattern. I have found places that aren’t quite right and I’ve gone back and enhanced them before completing the pattern.

The aida cloth of this design does a lot of heavy lifting. The original sign has a black background, although, on some of the sun-faded signs, it may look dark brown. Using a black aida cloth eliminates the need to stitch the entire background in black. That would be a lot, too, because on 14-count aida cloth, this design measures 7.43” x 9.5”

So, if you grew up in Ohio in the 1970s and 1980s or you have some of these signs still standing in your neighborhood, you can pay homage to the iconic design, with my digital pattern. While you’re stitching, you just may find yourself pondering how important it is to take care of our neighbors and community.

The PDF pattern can be purchased from my Etsy shop.

Ohio Watershed Keep It Clean Cross-Stitch Digital Pattern

The “Keep It Clean” watershed signs I see posted on roads right at creeks have a simple, eye-catching design. I knew the single color and bold fish illustration would translate well to a cross-stitch design.

Purchase the digital PDF pattern for my Ohio Watershed Keep It Clean Cross-Stitch Pattern on my Etsy shop here.

I snapped a picture of one of these signs close to me and got to work. While the program I use to create patterns can automatically convert an uploaded picture into a cross-stitch pattern, I discovered I still had a LOT of work to do. The auto feature picks up almost every color. And, because I’m not a robot, my photo wasn’t taken perfectly aligned to the sign (I was on the side of a road). So, I had to simplify.

To do that, I removed the background around the sign. I also removed any color the program picked up on the “white” part of the sign. Then, I had to correct the font. I had to fix each letterform and then make them consistent—all the E’s the same, and so on.

The fish required a lot of work, too. Curved lines are hard to create in a medium that is literally a grid. But, I did it and I’m satisfied with just how happy the fish looks.

Finally, I added the speech bubble. That little fishy has too much personality to be silent. He’s not jumping out of the water to wave “hello” as you pass by. No, he is on a mission. He wants to drive the sign’s message home: don’t leak in his creek. Please and thank you.

On 14-count aida, which is my favorite cloth count to work on, this design measures 5″ x 5.64″. It only requires two thread colors, one of which is black. You could do the whole thing in blue if you really wanted to.

Clean watersheds are important because water outside somehow, someway always ends up in our pipes flowing right to our faucets and water fountains. Clean watersheds mean clean drinking water. Also, our buddies, the fish and other aquatic life need clean water.

Have fun stitching up this simple design and sharing just how much clean water means to you.

Purchase the digital PDF pattern on my Etsy shop.

How to Prep a Cross-Stitch Pattern

Prepping the cloth and floss for a new cross-stitch pattern makes it easy to jump in and start stitching. Here’s how I do it.

All the supplies for stitching Tiny Modernist’s Cute Crocodile cross-stitch pattern.

This past summer, I was bitten by the cross-stitch bug. When I was around 10-years-old, my mom introduced me to Christmas cross-stitch ornament kits—those little plastic round frames into which I’d pop the image of Santa Claus, or a snowman, or a train that I had painstakingly crisscrossed out with the provided threads. They were fun when I was a kid. But as an adult, I lost interest…until now.

Needing a hand sewing/stitching project, I browsed Pinterest and found a pattern that caught my eye. I was able to order the pattern and all the required embroidery floss and cloth from a single website. (Etsy is also a great place to get fun patterns, but you need to have the ability to print the pattern and must purchase the floss and cloth somewhere.)

Quilting and tailoring tools come in handy for prepping cross-stitch patterns.

Starting a cross-stitch pattern larger than those tiny ornaments can be overwhelming. Fabric! Thread! Find the center! Here’s how I set up my supplies after I have a pattern I want to start making.

First, I get my cloth. There are a lot of different sizes and colors. For now, I like working with 14-count Aida. White and beige are my favorite colors and easy to find. Consulting the pattern, I see how big the finished image is on the particular size of Aida I’m using. Then, I’ve learned to cut 3” extra on all sides. But, I wish pattern makers/writers would say “add 6 inches to the height and width” because a few times I’ve been tempted to just add 3”—and then I’d only have an extra 1.5” on each side. This extra fabric is so that you have finishing options.

I use my quilting ruler and tailor’s chalk to mark the size just on the edges of my larger piece of fabric. I cut the fabric using the weave as a guide.

No need to mark the whole line. Just follow the weave to cut a straight line.

Next, most patterns recommend working from the center out. Cross-stitch patterns generally have markers so you can easily find the center on the chart. I have been folding my fabric in half one way and then in half the other way. Then, I thread a needle with a single strand of black embroidery floss and run it up and down every 10 holes along the two folds. Once I get started and create the center stitches, I go ahead and clip and remove these marking threads so I don’t permanently stitch them into the design. (Ask me how I learned this.)

Simple lines of stitching make it easy to see the vertical and horizontal centers.

For the floss, I like to wind it onto bobbins, marking each bobbin with the corresponding color number. Then, I load them onto the ring. The plastic bobbins and ring were a set! I only put the colors for my current pattern on there.

Bobbins make keeping floss tidy easy.

Next, I get a piece of cardstock paper, fold it in half (so it’s extra sturdy), and punch enough holes in it to hold a couple lengths of each floss. I write the color number above each hole and then I cut two lengths of each floss and simply tie them on. The floss is the length I like to work with. If you take nothing else from this post, do this. I find this is one of the most helpful things I’ve done. It makes starting on the pattern so easy. Sure, at some point I need to cut a new length of floss from the bobbin, but having this card makes accessing it so easy.

A card of pre-cut floss keeps the stitches flowing!

I keep everything in the same project bag: cut fabric, floss card, ring of floss bobbins, pattern, needles, and something to cut with. Bonus items are thread conditioner and needle threader. One unusual thing you see in my photo is nail clippers. Nail clippers are scissors alternatives. If you are unwilling to travel with your “good scissors,” take nail clippers! They trim floss just as easily and are small enough for project bags and traveling!

All the cross-stitch pattern supplies ready to go.

And, here’s a glamour shot of my completed crocodile:

It’s so satisfying to see a completed project.

Save this post for later and pin this image:

Sew an Easy Travel Toiletry Roll with a Hand Towel & Fabric Fat Quarter

Using an online tutorial, I sewed a travel toiletry roll using a store-bought hand towel and fat quarter of quilting cotton.

I have had The Yellow Birdhouse’s “DIY Toothbrush Travel Wrap” blog post pinned on a Pinterest board for a few years now. With a trip on the calendar, I knew it was time to try it out. All it requires is a store-bought hand towel, a fat quarter of quilting cotton, some ribbon, and of course, thread, and a sewing machine. 

I bought some 100% cotton hand towels and dug through my stash for some fat quarter-size pieces of fabric. I also dug through my collection of ribbon and trim to find pieces that would match and be long enough to stitch on as tie closures.

Full disclosure: I didn’t measure anything! After getting the gist of how to make the toiletry roll, I let the hand towel and mini travel toiletries be my guide. It was an exercise in letting go of perfection. I mean, who is going to see this? Function over beauty, I say!

First, using my secondhand embroidery machine, I stitched my name into the fabric. I’m still learning the ins and outs of machine embroidery and try to use it when I can. It’s all practice, as you’ll see from the fact that the embroidery isn’t very visible. And, it’s off-center.

I trimmed the hems off all four sides of the hand towel. Then, I trimmed the fabric to match the size of the towel. I placed the wrong sides together, placed the ribbon in the center on one side so that it would be outside once flipped, and stitched around, leaving 3-4” open so I could flip it to the right side out.

I flipped it, and topstitched around the perimeter, closing up the hole I used to turn it around. 

For the next part, I let the toothbrush be the guide. I set the toothbrush on the towel side and folded the bottom up far enough that it would hold the toothbrush. I also folded the top down enough so that it would protect the head of the brush. I clipped together the top and bottom folds down to hold it in place while I stitched each side down.

Now, using a ruler (but not for measuring!) and some tailor’s chalk, I placed each toiletry in, marked with the chalk where I needed to stitch to create a “pocket.” The ruler ensures a straight line. Then, I stitched along the marked line, and repeated this process for each toiletry I wanted this roll to hold. I was sure to leave a little wiggle room with each pocket, because toiletries don’t last forever and surely the next mini-bottle of shampoo will be larger/different shape and that wiggle room will ensure it’ll still slip in!

I’m happy with it! I stitched up a roll for each of my kids. It allows them to keep track of their own toiletries when we go on family trips. If you need a bit more detail on how this travel toiletry roll comes together, head on over to The Yellow Birdhouse’s tutorial here.

Happy sewing and safe travels!

Knowing When It’s Time to Throw Away Mended Clothing

When my mended pair of jeans needed to be repaired again, I knew it was time to let them go. I patched them after a year of wear and then wore them for another year.

It’s time to let these jeans go.

Nothing lasts forever, unfortunately, and while I could have mended these jeans for a second time, I just wasn’t feeling comfortable wearing them. I tend to wear out my jeans in the crotch. So, visible repairs are in an awkward place and I certainly don’t want to draw attention to my crotch! The layered fabric in the crotch creates a different kind of discomfort—it’s physically uncomfortable.

Right after the mending a year ago.

I took photos of these jeans when I originally mended them. The date linked is March of 2022. I estimate that I wore them for a year before they needed repair. I wore them for two years: one year as-is and a second year patched. Full disclosure: I am on sabbatical from working outside the home. A lot of days I just don’t leave home—I can get away with wearing the same clothes every day, from week to week. I wore these jeans multiple days per week for two years straight. Conservatively, I’ll say I wore them only 2 days per week. Let’s do some math!

52 + 52 = 104 weeks in the 2 years I wore them

104 x 2 = 208 days worn

I do laundry once a week. They were washed 104 times.

208 days of wear. 104 washes. Now, they’re done.

That’s pretty good and beats NPR’s LifeKit’s suggestion that you wear an article of clothing 30 times.

I learned a lot from this pair of pants. First, there’s a lot of stretch in these jeans. Look at how they wore out. It’s amazing how much the wear looks like stretch marks on skin.

Denim wore right down to the patch material.

Second, I think the stitching frayed and broke because I mended these jeans while they were clean. There’s a difference in the fabric when it’s freshly washed and when it has been worn a couple of times.

I used a single strand of DMC Cotton Pearl thread in a medium blue to blend with the color of the denim as much as possible.

The next pair of jeans, I will wear them a day or two before mending. Then, I’ll be stitching on fabric at its maximum stretched size, not at a shrunken size.

Layers of fabric

Finally, I’m not sure I’ll heave the whole pair into the trash bin. I’m going to try part them out—I’ll try to take out the zipper and maybe cut out swatches of relatively unworn fabric on the legs for future mending or other projects. All in all, eventually everything has to go. While only having this pair of jeans for two years seems paltry, after doing the math, I realize that I actually got a lot of wear out of them. Now it’s time to put them to rest.

Pretty stitches.